Bassano has been considered to be the first modern landscape painter. In this commission for a local church, Bassano fills the canvas with rich, luminous colors that help the distinguish the figures from their surrounding environment. The Adoration of the Kings Jacopo Bassano dal Ponte ≥ USD 370.00 . Instead of clothing his figures in the draping, shapeless fabrics many Renaissance artists equated with Classical Roman fashion, Bassano chose to feature figures in 16th-century clothing. Why this should be so is not altogether clear, for he was an artist of remarkable originality and in … Born into a family of painters he received his initial training from his father and then studied in Venice. His four sons: Francesco Bassano the Younger, Giovanni Battista da Ponte, Leandro Bassano, and Girolamo da Ponte, also became artists and followed him closely in style and subject matter.[1]. Bassano's ability to experiment and absorb stylistic qualities from other contemporary artists is evident in the four distinct periods seen in his artistic legacy. Low price guarantee, fast shipping & free returns, and custom framing options on all prints. 1510 – 14 February 1592), known also as Jacopo dal Ponte, was an Italian painter who was born and died in Bassano del Grappa near Venice, from which he adopted the name. Jacopo Bassano's early works from about 1530s and onward. It was during this period that he was one of the first artists to paint a "nocturne", or a painting in a nighttime landscape with artificial lighting. 1510 – 14 February 1592), known also as Jacopo dal Ponte, was an Italian painter who was born and died in Bassano del Grappa near Venice, from which he adopted the name. He breaks away from the practices of his contemporaries by placing the figure of Christ towards the back of the scene and allowing the lay-people around him to play a more significant part in the composition of the piece. What makes Jacopo Bassano particularly unique amongst his fellow Renaissance artists is his fascination with depicting tight male buttocks (particularly noticeable in The Adoration of the Shepherds) and his ability to incorporate diverse artistic influences (including Dürer, Parmigianino, Tintoretto, and Raphael, amongst many others) into his work despite his reluctance to leave the comfort of his home town. Bassano has shown the moment when the Samaritan lifts the man on to his mule. This type of bucolic oil painting were very popular with collectors in Venice and abroad, and Bassano was called upon to produce many replicas of the original paintings. Instead of clothing his figures in the draping, shapeless fabrics many Renaissance artists equated with Classical Roman fashion, Bassano chose to feature figures in 16th-century clothing. His father, Francesco il Vecchio, was a locally successful painter who had established a family workshop that primarily produced religious works in the local style. He eventually made his way to Venice in the 1530s, during which he studied under Bonifazio de Pitati (also known as Bonifazio Veronese) and was exposed to such famous artists as Titian and il Pordenone. The kings greet the Holy Family. In 1650 the art… The full text of the article is here →, http://en.wikipedia.org/wiki/Jacopo_Bassano, Virgin and Child with the Young Saint John the Baptist, Expulsion of the Merchants from the Temple. Each period shows the artist's work in reconciling his own aesthetics with the styles of his peers. After his father's death in 1539 he returned to Bassano del Grappa and permanently set up residence there, even taking a local woman, Elisabetta Merzari, as his wife in 1546. Compared to earlier figures, which were more staid, Bassano's figures in The Last Supper seem alive, their skin suggesting muscles and sinews below rather than the wooden, tired postures of his early work. Displaying 1 to 12 (of 12 oil paintings) Display: Pages: 1 Madonna and Child with S... Jacopo Bassano: Item No. Bassano's ability to experiment and absorb stylistic qualities from other contemporary artists is evident in the four distinct periods seen in his artistic legacy. He eventually made his way to Venice in the 1530s, during which he studied under Bonifazio de Pitati (also known as Bonifazio Veronese) and was exposed to such famous artists as Titian and il Pordenone. Buy The Religious Art of Jacopo Bassano: Painting as Visual Exegesis (Cambridge Studies in New Art History and Criticism) by Berdini, Paolo (ISBN: 9780521561709) from Amazon's Book Store. Rather than placing religious scenes in Classical Roman settings (as his Renaissance counterparts did), he placed figures in a more natural landscape, where the trees and the flowers were as carefully rendered as his figures. Jacopo Bassano was considered unique amongst his fellow Renaissance artists by his ability to incorporate diverse artistic influences (including Dürer, Parmigianino, Tintoretto, and Raphael) into his work despite his reluctance to leave the comfort of his home town. Money-Back guarantee a Venetian aristocrat Bassano '' on Pinterest a reduced copy after well-known!, especially in the painting 's patron, Giacomo Ghisi Bassano was apprentice! 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